Li Shin thought about how she wanted them to find her.  She would rest her head to the side.  Her grey hair, which she twisted into a bun every morning, and held together with six small black pins and no more, would face them as they entered the kitchen.

At the doorway they would see her bun and the strawberries laid out on the table. Skin washed and leaves cut off, ready for them to eat.  That morning she was the only customer at the fruit stall.  The Japanese seller and she did not say a word as she pointed to the strawberries and he signalled the cost.  

In Tokyo she did not interact with the Japanese outside of their stores, though she had once been in a ballroom filled with Americans, British and a few other Chinese.  Her son, in his uniform, had taken her hand and told her how beautiful she looked as she followed his lead, in a bright green dress, around the room.

Since her daughter in law arrived from Shanghai, Li Shin spent almost all her time inside.  She cleaned and prepared meals and listened to their talk.

When the war ended, Li Shin ran out onto the streets with her neighbours and cried and laughed and screamed.  It had been years since she stepped outside without rubbing her face with dirt or excrement.  When she died, she left her face clean, untouched, in Japan.  She thought of her son’s life here.

Karla Ch’ien

Katy Brand at Unbound Live.
You can click here to find out more about the book, Brenda Monk is Funny, and how you can get involved in its publication.

For more videos of the event go to: www.youtube.com/unboundvideos

Author Charles Fernyhough, who is publishing his second novel A Box of Birds with Unbound, explains how our crowd-funded publishing model actually works and why it’s good in a brilliant new blog post. You can read it below and head over to his blog Pieces of Light for more.

This crowd-funding business is new territory for all of us, so I thought I’d put together a few FAQs to help you decide.

This is one of those internet scams, isn’t it? Not at all. The people behind Unbound are highly respected in the literary and media worlds. They have a sound business model and have already brought established writers like Terry Jones and Tibor Fischer into print, with Kate Mosse and Jonathan Meades set to follow soon. They make lovely books and publicise them well, and I want mine to be one of them.

What are the risks, then? There aren’t any. You either get a beautiful book (and help a writer get back into doing what he loves most) or, if the project isn’t funded, you get a full refund.

Why are you self-publishing? I’m not. If I were self-publishing I would be paying for my book to be printed. (Here’s some more on how the Unbound model differs.) There are many reasons for taking the subscription-funding route, and one is that it gives me a chance to talk about why the book is important before it is actually published. (I’ve been doing that here and here.) There’s nothing particularly new in the subscription-funding model; it was big in the eighteenth century and Unbound are simply reviving it for the modern era.

What’s this about getting your name in the back of the book? When you pledge for a book, your name is recorded and entered into the subscription list, which will then be printed in the back of every edition that appears.

So can I change the name to make it a gift? Certainly. Once you have pledged, there’s a button on the right which allows you to change the name in the back of the book. Change this to the name of the gift recipient, and their name will be printed in the back of every edition of the novel. How’s that for literary immortality?

Am I going to get loads of junk mail? No. You have to register with an email address so that Unbound know who you are. They send a weekly newsletter, but you can easily opt out of that. That’s all.

It’s OK, I’ll just wait for the paperback. Er, no. There will be no paperback unless the project is funded. Help me to cross the finishing line and there will be a subsequent trade edition in partnership with Faber (due next year), with the potential for foreign editions and translations. Once the book is published by Unbound (in August, if I get funded on schedule), it will automatically be eligible for prizes and various other good things. But for that to happen, I need your support. You can do everything you need to do here. Thanks so much.

 
You can click here to watch Charles’ pitch video for the book, read an excerpt from, and find out how to support the publication of A Box of Birds.